Television screens were installed inside these spaces, showing video conversations with eight international creatives. The partnership resulted in a range of experiential spaces inspired by human habitats: From old-fashioned igloos, yurts and tents, to futuristic huts girded with welded metal poles. At Salone del Mobile, that arm worked with the Italian practice Studio Andrea Caputo on “No_Code Shelter: Stories of Contemporary Life”. In 2018, Tod’s launched No_Code, a project arm meant to explore and push the boundaries of the brand-a sort of fashion think tank. Related article: 10 Best Travel Destinations For Art Lovers For its “No_Code Shelter: Stories of Contemporary Life”, Tod’s teamed up with the team at Studio Andrea Caputoįor an older heritage brand like Tod’s, finding new methods of artistic collaboration is also key. An evolution of the COS aesthetic, in other words, through different mediums. “It is a dialogue between technology and craft, between man-made and natural, and between monumentality and lightness.” The brand maintains a assured sense of self, finding supplementary collaborators to create extensions of its rigorously studied minimalism. “‘Conifera’ blends the digital with the physical world while addressing sustainability through the use of compostable bio-plastic, produced and 3D-printed locally,” says Mamou-Mani. The bricks used different colours, textures and finishes to correspond to the interior and exterior spaces it occupied. Mamou-Mani used the renewable material to create pyramidal bricks which were arranged around the space. For the 2019 edition, COS teamed up with French architect Arthur Mamou-Mani to create “Conifera”, an installation of 3D-printed bioplastics at the Palazzo Isimbardi. This can be observed most regularly at the annual Salone del Mobile design trade fair, where increasingly, fashion brands have staked out spaces.
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